Shot list

 

 

SCENE #

 

SHOT #

 

SHOT TYPE

 

CAMERA ANGLE

 

MOVEMENT

 

LOCATION

 

EXT / INT

 

SHOT DESCRIPTION

 

CAST

TOTAL TIME (Seconds)

1

1

Close-up

Eye level

Hand-held

Street

EXT DUSK

One continuous shot of Travis walking down the street and being confronted by the perpetrators 

Travis, Perpetrators 1 and 2

30

1

2

Close-up (Jump cut)

Eye level 

Stationary 

Street

EXT DUSK

Travis is stabbed 

Travis, Perpetrators 1 and 2

5

2

1

Medium close-up

Over the shoulder, pan

Hand-held

Street

EXT NIGHT

Travis walks down a busy street

Travis

8

2

2

Close-up

High angle, pan  

Hand-held

Street

EXT NIGHT

Travis looks at a text from his dad on his phone. Camera turns to capture Travis’ reaction “Shite”

Travis

5

2

3

Medium close-up (Montage)

Over the shoulder 

Hand-held, slow motion

Street

EXT NIGHT

Travis walks home, down a series of empty streets. Mournful, melancholic soundtrack plays

Travis

7

2

4

Medium close-up

Low angle 

Dolly, tilt, slow motion

Street

EXT NIGHT

Travis looks up to the sky, dazed by the beauty of his surroundings. Soundtrack continues

Travis

3

2

5

Medium close-up

Eye level

Dolly, slow motion

Street 

EXT NIGHT

Travis still walking

Travis

5

2

6

Medium close-up

Over the shoulder

Hand-held

Street 

EXT NIGHT

Camera tracks Travis as he arrives home, turning in and going through a small gate

Travis

3

2

7

Medium shot

Eye level

Hand-held 

Street

EXT NIGHT

Travis walks down the pathway to his house, gets his keys out and opens the door. 

Travis

3

3

1

Medium close-up

Over the shoulder 

Hand-held, pan

Doorway of house

INT NIGHT

Travis enters the house, greeting his dad; the camera lingers on Dad staring at the floor as Travis walks past and then pans to Travis hanging up his keys. After getting no reply, Travis looks up and for the second time, apologizes for being late

Travis, Dad

20

3

2

Medium close-up

Over the shoulder

Stationary 

Doorway of house

INT NIGHT

Over the shoulder of Travis, we see Dad get up and walk straight past Travis into the living room, the camera pans across, tracking Dad as he does so.

Travis, Dad

7

3

3

Medium close-up

Eye level

Stationary, pull focus

Living room

INT NIGHT

Dad place his phone on a stall and walks over to the sofa

Travis, Dad

3

3

4

Mid shot 

Eye level

Hand-held

Living room

INT NIGHT

Travis apologizes again  

Travis, Dad

8

3

5

Medium close-up

Low, tilted angle 

Hand-Held, pan

Living room

INT NIGHT

Travis turns to walk away, but the phone rings and he goes to pick it up

Travis, Dad

4

3

6

Medium close-up

High angle

Hand-held

Living room

INT NIGHT

Travis’ hand reaches to pick up the phone, but Dad’s hand gets there first 

Travis, Dad

3

3

7

Mid shot 

Eye level

Stationary 

Living room

INT NIGHT

Side profile of Dad, answering the phone, with Travis watching on in the background 

Travis, Dad, Police Officer

15

3

8

Close-up 

Low, tilted angle 

Hand-held

Living room

INT NIGHT

We track Travis from below as he stumbles backwards, “What?”

Travis, Dad

3

3

9

Close-up

Eye level

Stationary 

Living room

INT NIGHT

Dad removes the phone from his ear in shock

Travis, Dad

3

3

10

Close-up 

Low angle 

Hand-held

Living room

INT NIGHT

Travis – “Dad”

Travis, Dad

2

3

11

POV

Eye level

Hand-held 

Living room

INT NIGHT

Travis looks down and sees the blood on his shirt.

Travis, Dad 

9

3

12

Close-up

Low angle 

Hand-held, tilt

Living room

INT NIGHT

Travis rubs his face into his arm

Travis, Dad

2

3

13

Close-up

Low angle 

Pan

Living room

INT NIGHT

Travis – “What's happening to me? Please help me.” Speech out of sync with mouth movements. Jump cut

Travis, Dad

3

3

14

Close-up/portrait 

Eye level

Hand-held

Living room

INT NIGHT

Travis – “I don't want to die. I don't want to die like this.”

Travis, Dad

4

3

15

Close-up/POV/portrait

Eye level

Hand-held 

Living room

INT NIGHT

Dad looks straight down the lens “You have to let go”

Travis, Dad

4

4

1

Medium close-up 

Eye level

Hand-held, tracking 

Forest

EXT

DAY

Side profile of Travis running through the woods

Travis

13

4

2

Mid shot 

Low angle

Tracking backwards

Forest

EXT

DAY

He comes to a halt turns back 

Travis

6

4

3

Mid shot 

Eye level

Stationary 

Forest

EXT

DAY

A reverse of the previous shot, Travis stares over the camera. 

Travis 

6

5

1

Close-up

Over-head 

stationary

Street

EXT

Night

Portrait shot of Travis lying on the pavement, dead 

Travis 

8

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